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IMAGINES AGENTES COLLECTIONS |
De l’artifitial memoria (Bibliothèque Sainte-Geneviève, ms. 3368)
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A long season in Italian and European culture from the medieval period to the modern age has experimented in different ways with the relationship between verbal and visual signs. In the reflections of the humanists, as in daily life, the image was perceived as a highly-charged sign, at once able to both convey and conceal its meaning.
Ritratti dell'animo (Wellesley Library, Plimpton Collection, ms 897) by Guido Arbizzoni, Marco Faini, Sonia Maffei con un saggio di Ruth R. Rogers Napoli, 2015
Saperi antiquari e teorie dell'arte nei Segmenta nobilium Signorum et Statuarum di François Perrier by Leonarda Di Cosmo, Lorenzo Fatticcioni Naples, 2012
Un manoscritto di Emblemi petrarcheschi by Andrea Torre Napoli, 2012
Imagines Agentes Collections by Sonia Maffei Naples, 2009 Cristiana Zaccagnino
Dal collezionismo mediceo al museo pubblico lorense Naples, 2010
Charles Dempsey La Primavera di Botticelli e la cultura umanistica al tempo di Lorenzo il Magnifico Botticelli’s “Primavera” and the humanistic culture at the time of Lorenzo the Magnificent. Traduzione italiana di Giovanna Perini Naples, 2007
Anton Francesco Doni Edited by Sonia Maffei co-edition by Biblioteca Apostolica Vaticana Naples, 2006 FURTHER PUBBLICATIONS IMAGINES AGENTES COLLECTION De l’artifitial memoria (Bibliothèque Sainte-Geneviève, ms. 3368)
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